This printmaking workshop is a practical studio based programme for beginners and intermediate students. You will gain a good overview of the printmaking media and grounding in a wide range of techniques such as Drypoint, Collagraph, Lino Cut, Monoprinting, Etching and Photo-Etching.
You will learn to work in the light and the well-equipped print studio with specialist facilities and develop your ideas and imagery into a portfolio of creative prints. You will be introduced to each printmaking technique by demonstration while looking at the work of other artists. Following techniques will be covered throughout the year; Drypoint, Collagraph, Lino cut, Monoprinting, Etching and Photo-Etching.
Informal one-to-one tutorials, group tutorials and feedback will encourage each student’s personal strengths and interests. You are encouraged to explore the creative and more experimental possibilities of these processes while also gaining a good working knowledge of the traditional skills. In the third term, presentation of prints, editioning guidelines and mounting skills will be taught in preparation for finished work to be shown in the printmaking end of year summer show at the Hortensia Gallery.
What background and qualifications do you need to join? (Entry Requirements)
These classes are aimed at beginners, those who wish to re-fresh their printmaking skills and those who have a basic arts experience in any other visual arts discipline.
What does the course lead to?
These courses give an opportunity to build a portfolio of prints to assist progression to our more advanced printmaking courses or other art courses.
Where will I study?
The printmaking studio is at the Chelsea Centre, Hortensia Road, just off the Kings Road, in the Carlyle building on the ground floor, room CG05.
How much should I study outside class?
It is recommended that you prepare imagery and materials, of your choice, outside the class, so you can use the time in the studio more fully for printing and technical processing which cannot be done at home. A sketchbook documenting your ideas development, technical notes and research is also recommended.
Are any course materials online?
Once you are enrolled on the course you will be introduced to the college’s virtual learning environment. Here you will find materials and information in support of your studies.
What books and equipment do I need?
You need to bring: a sketchbook and some art equipment such as pencils, eraser, a range of brushes, Stanley knife, scissors and apron. You will also need heavy duty rubber gloves which can be bought in the studio.
What else do I need to buy? What extra costs are there?
There is a studio fee of £16.50 payable each term to the tutor which covers basic materials, except paper and plates which you pay extra for as you use them. All materials are available to buy in the studio.
If you have further questions about the course, the tutor can be contacted at: firstname.lastname@example.org
Daniela Rizzi is a London based artist who exhibits extensively. Her practice includes painting, drawing, printmaking, photography and mixed media. Daniela’s work evolves through the process of working and as such is intuitive, and part of it progresses with certain definitive ideas. Use of strong colour, formal and informal aspects of image making and personal concerns define her artwork.
Daniela has taught painting, drawing and printmaking for fifteen years, she is a lecturer at Kensington and Chelsea College, a visiting lecturer at other institutions and teaches workshops at Artworks Project Space.
Personal website: www.galleria63.com
We are a well resourced department and have a well equipped printroom. You do not need to source your plates or paper for the course, we have large stocks of different materials which you can purchase from us in small quantities.
The studio has excellent light and has specialist facilities for all the intaglio techniques and includes:
2 Rochat presses, bed size 26″x48″
1 relief press for lino cuts, bed size 16”x20”
A UV light exposure unit for transferring images to plates
A3 flat-bed scanner to digitise something you have drawn or photographed Mac and PC computers using Photoshop for post production work on images you have shot or scanned in (drawing or photographs)